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A Broadcast Studio Built In, Not Bolted On
Most productions are one take. Ours are built so nothing about that one take is left to chance. Our studio gives us the full capability of a television control room, in a space that can be set up wherever a client needs us to be. It is the same broadcast grade environment behind conferences, town halls, product launches, webinars, panels and award ceremonies, run quietly and precisely, so the audience only ever sees the finished result.
Built to Flex, Not Just to Spec
Every input, up to eight of them, can be a camera, a graphics feed, a remote presenter or a slide deck, mixed however the day actually needs rather than however a spec sheet assumes. Most events run comfortably on around four cameras. Bigger ones use the full eight, and we can bring in additional capacity for anything larger still. Because the whole setup is genuinely portable, we deploy it in an office, a conference centre, a hotel or a remote venue just as easily as a purpose built studio, run by a single experienced operator when that is all a job needs.
Every Angle, Every Destination
Sound and graphics keep pace with the picture, independently mixed audio, live lower thirds, sponsor credits and countdowns brought in without breaking the show's rhythm. And because streaming rarely means one feed to one place any more, we can send different versions to different audiences from the same production, a public feed with sponsor messaging, a clean feed for the room, a confidential feed for executives, and one built for a meeting platform like Teams or Zoom, all running at once.
​Nothing Is Lost When the Cameras Stop Rolling
Every source records individually, and the whole production reopens automatically in DaVinci Resolve exactly as it happened, every cut, transition and graphic already in place. Nothing gets rebuilt from scratch. Our editors simply refine it, so the polish continues long after the cameras stop rolling.
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